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Sestina For Two (By Candlelight) MAG
They are sitting, brother, sister, as they once did at this table
whose low, chrome edge now knife-gleam
slides through the black
playroom in a ray that does not bend or taper.
No more children, they've outgrown these chairs that used to fold
and stack, and yet they sit in them as statues in a house of wax,
with lips breathing air that floats through vapored wax
and dusty specks; inhaling those atoms on the periodic table
which life often needs, and whose symbols unfold
in their memories as they gasp each precious gleam
that hovers darkly above the lit taper
and makes dense the air, already black.
He is staring at the charred wick, stark and black,
when he notices the twisted rivulets of wax
streaming down with a warm and graceful taper
that freezes into a broader chill, a frozen image he cannot table
from his mind; this fragile melted pattern of shadow and gleam
is like her white skirt draped on the cold floor, fold upon fold.
And his face, though watching, leans still on his arms that fold
beneath his chin, and like a black
hot iron gathers the tint of reddish gleam
that when glowing fully will wax
the metal into distorted shapes upon the anvil table;
his face and arms are scarlet and bloody from the wounded taper
at which she too glares, her gaze a sharp, but weakened taper
of anger for the candle that she faces with not a fold
along her crimson brow, smooth as a table
above her narrowed, focused eyes whose dilating pupils are black
like eclipsed moons that wax
darkly, each circled with a white blade gleam
that keeps its shape with not one icy gleam
of motion, unlike the flame of the flickering taper
which wavers steadily beneath their breaths to wax
into a faint glimmer and mark the room's dark fold
of space with a black
edged glint, like a dent in a metal table.
They sigh at the taper, they sigh and watch its gleam
bend beneath the folding currents of their air; the fumes of wax
are rippled blackly, but breath can't move shadows on the table.
* Editor's Note: This poem was a runner-up in the Emerson Writing Contest - and had been submitted to The 21st Century
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