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Crash MAG
His face 
 Is partially obscured 
 by shadows 
 (and memory)
 cast across 
 in horizontal lines 
 sliding across 
 the bridge of his nose, 
 flowing unevenly 
 over the jagged scars 
 underneath his eyes. 
 
 It's night outside,
 (So dark, so dark)
 and she wonders what he's doing here. 
 
 “Good evening,” he says, because,
  if anything,
  he's always been polite. 
 
 “Hello,” she says,
 (what?)
 tilting her chin up to him.
 
 It's been a long time since she last spoke to him. 
 Even longer since she last saw him, 
 even in dreams,
 and she's been over him for a while, 
 but self control was never her strong point.
 
 He looks different-
 (Oh God, he is different)
 -ly at her now. 
 
 “I was in the neighborhood.” 
 His voice is lower. Deeper. 
 
 (Different.)
 
 “Me too,” she jokes, 
 because she lives here 
 just like she always has 
 and he knows that. 
 
 His hard eyes glitter 
 and she thinks that maybe, 
 just maybe
 (maybe not)
 he knows why he's here.
 Knows what has happened.
 
 (Do you know? Do you? Who I am?)
 
 He pauses, 
 and she
 (here now)
 waits patiently for him. 
 She's been waiting for a while now.
 
 “Good night,” he says,
 because he's leaving now 
 and he's always been polite, 
 even before the accident.
 
 “Good-bye,” she says, 
 because she can't 
 stop him leaving now 
 and, at least,
 he's still polite.
 
 She thinks,
 (It's all right. Smile, all right,)
 and thinks.
 because it's not every day 
 he's sane enough 
 to see her.
 
 Know her,
 (Love)
 her.

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